A group of [not-so-new] articles at The Austin Chronicle on Explosions In The Sky:

Born on the Fourth of July, where a history of EITS is given, as well as an explanation for my only complaint about their latest album (that “Six Days At The Bottom Of The Ocean” ends kind of abruptly);

Explosions in the Cinema, where EITS give props to every Bottle Rocket fan;

& The Classical Perspective, where Austin Symphony conductor Peter Bay hears EITS for the first time, and compares them to Philip “Just An Evening?” Glass. [via kerm.net]